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Irantiola’s debut drama, ‘With our Uniform’ mirrors Societal Injustice
To showcase societal decadence and the ruthless use of force…
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Feature: From National Theatre to the State Cultural Centres: Cascading the Revamps in the Creative Sector
The recent revamp of the National Theatre by SANEF Creatives…
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WASTAGE OF FEDERAL GOVERNMENT PROPERTIES IN LAGOS
Lagos State was the former capital of Nigeria before it…
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YORUBA ORAL NARRATIONS SHOULD NOT BE DISTORTED FOR SELFISH GAINS- LASUNKANMI TELA
Yoruba Lakotun, the quarterly cultural flagship programme, took place on…
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HISTORICAL ANTECEDENTS OF THE NORTH EAST TRACED THROUGH INVESTIGATIVE JOURNALISM AND RESEARCH: A REVIEW OF ‘EAT THE HEART OF THE INFIDEL’
Title: ‘Eat the Heart of the Infidel: The Harrowing of…
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INTERNALLY DISPLACED VS EXTERNALLY DISPLACED.
Abokina, In Hausa language, the lingua franca of Northern Nigeria,…
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BOKO HARAM: The Retrogression of Nigeria’s Northeast
by Olutayo Irantiola In 2007, I was posted to Maiduguri,…
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Faction and Stream of Consciousness in Teju Cole’s Every Day Is for the Thief
Publication Date: 2007, 2014 Pagination: 162 Publisher: Random House Reviewer:…
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The Metamorphosis of K1 De Ultimate’s monikers
By Olutayo Irantiola K1 De Ultimate is a renowned figure…
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Re-scaping our Landscape: Professor Segun Gbadegesin at 70
As is typical of anyone in academia, they are used…
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Etymology: Prefix and Suffix as the Variant of Yoruba Names
The Yoruba race has many oral accounts of how it…